What is the movie closer about
Closer by Patrick MarberIn Closer, Patrick Marber has created a brilliant exploration into the brutal anatomy of modern romance, where a quartet of strangers meet, fall in love, and become caught up in a web of sexual desire and betrayal. Closer is being hailed as one of the best new plays of the nineties, and as the London Observer noted, it has wired itself into the cultural vocabulary in a way that few plays have ever done.
What to say about ...
Sign in. The star of " The Boys " has a great Watchlist that she can't stop re-watching. Watch now. In the waning days of the American Civil War, a wounded soldier embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart. In late s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy.
Mike Nichols ' "Closer" is a movie about four people who richly deserve one another. Fascinated by the game of love, seduced by seduction itself, they play at sincere, truthful relationships which are lies in almost every respect, except their desire to sleep with each other. All four are smart and ferociously articulate, adept at seeming forthright and sincere even in their most shameless deceptions. There is a difference between confessing you've cheated because you feel guilt and seek forgiveness, and confessing merely to cause pain. Law plays Dan, who writes obituaries for his London newspaper; Portman is Alice, an American who says she was a stripper and fled New York to end a relationship; Roberts is Anna, an American photographer; and Owen is Larry, a dermatologist.
The screen adaptation of Closer, Patrick Marber's hit play of the late 90s, opened at the weekend, but can it repeat the enormous success of the theatrical original? The play touched fashionable nerves in 30 different languages, and gifted Marber the kind of kudos and fortune that turns lottery winners green. This obviously isn't going to be your standard romcom slush, you insist, with a glance at Sukhdev Sandhu in the Daily Telegraph. All of this worked well on stage, but you can't help feeling - much like Derek Malcolm in the London Evening Standard - that "there is something terribly cold and uninvolving about the movie. The end result feels like "an art movie with stars, rather than a popular movie with dimensions". Closer is "a complete phoney on screen", you sigh, echoing Nigel Andrews in the Financial Times. It feels like a "sex imbroglio desperate to tick all sado-emotional boxes".